rulururu

post Success

January 30th, 2008

Filed under: studio/process,works in progress — Matthew Landkammer @ 8:03 am

They said it couldn’t be done — a soft-edged serigraph? Madness!

Now that the process is proven, I need to buy a stack of Stonehenge paper and mix a big batch of ink, and I’ll be ready to pull an edition, maybe even this weekend.

post Draft Artist’s Statement (medium version)

January 29th, 2008

Filed under: artist statements — Matthew Landkammer @ 7:32 am

These works require both time and patience.

As with my past work, the horizontal banding is meant to create a restful visual field. The slight inconsistencies that betray my hand and the lack of sharp contrast allow the eye to wander across the surface of the painting, never finding purchase. The kernel of reference is to the landscape of the Great Plains where I was raised; however, the resulting composition has become a device in its own right — a simulacrum of the horizon that is meant to evoke the sensation of openness, without direct allusion.

These works are not minimal. They have more in common with John Cage’s 4’33″ than they do with Donald Judd.

post Draft Artist’s Statement (short version)

January 29th, 2008

Filed under: artist statements — Matthew Landkammer @ 7:16 am

These works require both time and patience.

post 01081107

January 26th, 2008

Filed under: recent work — Matthew Landkammer @ 6:44 am

01081107

01081107
48″ x 48″
acrylic on canvas

post Holding on to Nothing

January 19th, 2008

Filed under: artist statements,slow art — Matthew Landkammer @ 6:58 am

“I spend my time very easily, but wouldn’t know how to tell you what I do… I’m a respirateur — a breather. I enjoy it tremendously.”

– Marcel Duchamp to Calvin Tomkins

“Don’t forget breathe. Very important.”

– Pat Morita as Mr. Miyagi, The Karate Kid

“I think your problem is that you don’t breathe.”

– Irina, a massage therapist, to me

post Art Giving Us Pause

January 19th, 2008

Filed under: blather,slow art — Matthew Landkammer @ 6:40 am

Kenneth Baker, painted by Thomas PringleKenneth Baker, in the San Francisco Chronicle, lays out an argument for art serving the purpose of allowing us momentary subjectivity and reflection – a pause from the daily rush:

In Buddhist tradition “the stopping mind” refers to the tendency to fixate on things, ideas or experiences, and thus impede acceptance of the transitoriness of everything, ourselves included.

But that notion grew out of societies that never envisioned a high-tech, commerce-driven culture such as ours that prizes incessant motion and change both for their own sake and as fuel for the profit system.

Addicted to speed, we need help stopping: not in fear or paralysis, but in a mode that gives us pause to sort out what we see and feel. We need relief from our own glib knowingness, which lets us glide through the element of surprise in daily life.

Hence our need for the arts, especially the arts of our own time, which respond to our condition implicitly and sometimes explicitly.

I’m with him almost all the way. Then he drops this (emphasis mine):

The kind of interruption or stoppage I describe need not last long. It can do its work of aerating awareness in an instant or a cascade of instants. For this reason, the periodic laments we hear over the short spans of time people spend in front of individual artworks miss the point. The quality, not the duration of engagement, matters.

On the one hand, he claims art as a palliative cure to our fast-paced culture. On the other hand, he thinks we can gain this effect without spending more than a split second with a work. Well, Kenneth, which is it? Do we need to slow down, or not?

Dear readers, you know where I stand.

post Taking the P out of Painting

January 7th, 2008

Filed under: colleagues,slow art — Matthew Landkammer @ 6:44 am

Portland painter Abi Spring seems to be treading similar ground. Why haven’t I heard of her before? I need to get out more…
studioshot2web

From her artist statement:

The white paintings are part of a series that explore a very limited palette. The use of very subtle color opposites creates a visual tension making the surface of the work hard to locate, drawing the patient viewer to the work.

Note the requirement of patience. Crucial. Slow art, to be sure.

ruldrurd
© Matthew Landkammer , Desinged by Stealth Settings
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